Whores

Whores

October 28, 2016 saw the band's first full-length album and their debut on eOne records, "GOLD."

The album was widely praised, garnering spots in the top ten on album of the year lists through publications such as Rolling Stone, MetalSucks, Heavy Planet, Invisible Oranges, Shiny Grey Monotone, and more. The band is currently recording the follow-up to "GOLD."

Prior to their signing with eOne, Whores' output included two now-classic EPs. "RUINER." released December 20, 2011, put the band on the noise rock map and is now on its fourth pressing. They followed this up with the even-more popular "CLEAN." released October 29, 2013 and now on its sixth pressing.

Between these and "GOLD." the band released a split of covers by The Cure with Rabbits and contributed the song "Bloody Like the Day You Were Born" to Amphetamine Reptile's "Dope-Guns-'N-Fucking in The Streets, Volume 13". Whores also just contributed the track "Flag Day" to Amphetamine Reptile's "Bash '17" alongside acts such as The Melvins, Mudhoney, Lydia Lunch, and Cherubs.

In their short career, Whores have received much critical praise. Some highlights include:

• "Ten Artists You Need To Know" - Rolling Stone

• "11 Metal Choruses That Will Get Stuck In Your Head All Day" - Alternative Press • "Best of 2016: Metal" - Apple Music

• "Top 20 Best Noise/Post-Punk & Goth Albums of 2016" - Music & Riots Magazine

Whores have shared the stage with acts such as Red Fang, Torche, Big Business, Melvins, Mudhoney, Retox, Deafheaven, Iron Reagan, Metallica, Slayer, Kylesa, Black Tusk, Royal Thunder, Floor, Lamb of God, Tombs, The Sword, Baroness, Dillinger Escape Plan, Chelsea Wolf, Youth Code and many more.

https://linktr.ee/Whoresband

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Deaf Club is a savage sound bath dripping with sardonicism: a blastbeat-centric hardcore punk assault channeling crust, thrash, and grind (un)sensibilities. Succinct pauses, surreal frequencies and effects, breakneck pace and sharply hurled vocals characterize the band’s aesthetic, which seems as though it is rooted in a sort of nasty-sound-meets-highbrow-message ethos. Fueled by the onslaught of society’s insanity and driven mad by tinnitus, Justin Pearson (The Locust, Dead Cross, Planet B), Brian Amalfitano (ACxDC), Scott Osment (Weak Flesh), Jason Klein (Run With The Hunted), and Tommy Meehan (The Manx) approach music as an opportunity to confront our collective sicknesses. We’ve got to try to listen, lest we all frolic headfirst towards the bright side of death, dragging this pillaged planet down with us. So whether you think the music is a radical disruption to the airwaves or just headache-inducing noise, you can feel free to tell them the brutal truth– they can’t hear you anyway.